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1279 films(Page 27 of 27)
Rachel and Becky Unthank discuss their musical influences and commitment to authenticity in the folk genre during an interview with Paul Morley.
Giggs spent two years in prison for firearms possession, reflecting on the pressures of his environment and the impact on his music career.
The first album by Damon Gough, known as Badly Drawn Boy, was released in June 2000, the same day as Coldplay's debut album.
Jack Barnett states that his band's latest album features around 500 tracks, reflecting a complex approach to modern music composition.
Skream and Artwork of Magnetic Man discuss their music with Paul Morley from the Guardian.
A 14-minute interview features Tinchy Strider discussing his creative process and the challenges of balancing authenticity with mainstream success.
Paul Morley meets the Smyths at Flowerpot Pub in Derby, a tribute band to the Smiths.
Julie, known as Lonelady, discusses her desire for a slow burn in her music career, contrasting it with the rapid rise of artists like the Arctic Monkeys.
Ellie Goulding signed her record deal just four months before being named number one in the BBC's Sound of 2010 poll.
PJ Harvey won the Mercury Prize in 2011, reflecting on the overwhelming public response to her award and the influence of global events on her music.
Jayen Baek argues that AI music, created by analyzing patterns in existing songs, lacks the emotional depth and authenticity of human-made music.
Sigtryggur Baldursson of the Sugarcubes highlights Reykjavik's vibrant music scene, featuring landmarks like the 1922 bandstand and the Harpa concert hall.
Rufus Wainwright performs "Zebulon," a song from his album "All Days Are Nights: Songs for Lulu," showcasing his emotional depth and musical talent.
Serj Tankian discusses how the Nagorno-Karabakh war influenced his music and priorities.
Brian Eno conducts a public a cappella choir in Copenhagen, emphasizing the communal experience of singing and its power to foster empathy among participants.
Lindsey Jordan discusses her song 'Pristine' and its inspiration from Sonic Youth.
Critics discuss their festival experiences and highlight acts for summer 2013 events.
Superorganism discusses their single 'Everybody Wants to Be Famous' and its societal themes.
VICE meets Rick Astley to discuss his rise, retirement, and the RickRoll meme's impact.
Rick Astley discusses his hit 'Never Gonna Give You Up' and the RickRoll phenomenon.
John Darnielle discusses the use of a major 7 chord in music, recalling the band War and their cinematic sound.
Shakti, an architect and musician, explores the connections between architecture, acoustic design, and storytelling through her experiences with A. R. Rahman.
Rick Astley discusses his hit 'Never Gonna Give You Up' and the viral RickRoll meme.
Lydia Knight explains the making of 'I Dare You' and its influences from The Strokes.
Ruban Nielson, frontman of Unknown Mortal Orchestra, reflects on the significance of cohesive albums in shaping his musical identity and creative process.
Gianfranco De Bosio and Lorena Marin discuss their ties to Verona's operatic tradition.
Bassist Jenny Lee Lindberg describes her melodic approach to playing bass, focusing on melody rather than traditional root notes.
John Darnielle shares music insights and cultural commentary in 'Dad Opinions'.
Brendan B Brown reflects on the impact of the 1984 murder of Ricky Caso in Northport, Long Island, and its connection to the cultural perception of rock music.
Natasha Bedingfield reflects on her hit 'Unwritten' and its cultural impact with VICE.
Young M.A reviews Kacey Musgraves' "Butterflies" and Cardi B's "Be Careful" this week.
