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Synopsis

In 2015, a correspondence unfolds between two individuals, one of whom is ‘Y-Sang’. The exchange references a postcard from 1999 featuring a drawing of ‘Neon Genesis Evangelion’. ‘Y-Sang’ proposes a discussion on philosophers Kant, Nietzsche, and Gramsci. The narrator, unfamiliar with their works, reflects on the images associated with these names. The film questions the relationship between names and images, presenting a unique perspective on the nature of representation in film.