Almost Like An Open Wound

Synopsis

Mikhael Subotzky, a South African photographer and filmmaker, critically examines the constructs of whiteness and masculinity within the context of apartheid. His work reflects a deep engagement with social, historical, and political narratives, revealing the complexities of representation. Subotzky emphasizes the importance of questioning perceived realities in photography, challenging viewers to look beyond surface images. His acclaimed projects, including Ponte City, have garnered international recognition, with works held in prestigious institutions such as The Museum of Modern Art and the Tate.