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21 films
Roz Chast, a prominent cartoonist for The New Yorker, reflects on her challenging childhood and the influence of Charles Addams on her humor and storytelling.
Political cartoonists in Canada, including Duncan Macpherson and Aislin, provide a witty perspective on the nation's history through their art and commentary.
Robert Crumb, a controversial cartoonist known for his explicit work and counterculture influence, reflects on his artistic journey and the complexities of modern criticism.
Satirist Dan Perkins, known as Tom Tomorrow, discusses the absurdities of contemporary life under Donald Trump, the coronavirus, and capitalism with Michael Moore.
Emily Flake from The New Yorker teaches how to draw children using her experience with Agustin.
A cartoonist draws a mouse reflecting on a madeleine, merging elements from Proust's work and a children's story in a humorous literary mashup.
Liz Montague, a New Yorker cartoonist, talks about drawing social change through her art.
Ali Dilem discusses sex as a taboo subject in Algeria and critiques Bouteflika's regime.
Roz Chast, a cartoonist for The New Yorker, shares insights into her creative process, personal life, and artistic influences from her home in Park Slope.
Two cartoonists create a drawing of a character standing in a hole he has dug in the floor, while another character looks on with concern.
Luz discusses the Charlie Hebdo attack and Prophet Muhammad covers in an exclusive interview.
Two cartoonists create a desert island scene featuring ten books while communicating only through verbal instructions.
Roz Chast discusses her mother's influence on her work with Bob Mankoff at The New Yorker Festival.
Jorge Colombo sketches a parking garage at night using Brushes on his iPhone.
Jorge Colombo sketches a traffic light using Brushes in this short video for The New Yorker.
Jorge Colombo sketches a fire escape using Brushes in this short video for The New Yorker.
Jorge Colombo uses the Brushes app on his iPhone to create sketches of a diner, blending technology with traditional art to capture everyday moments.
46% of voters in a humorous exit poll are identified as Democrats, while Bob Mankoff discusses food-related humor and dietary restrictions.
A cartoonist for the New Yorker shares the thrill of unexpected creative moments.
Mick Stevens gives a tour of his Florida studio for The New Yorker’s blog.
Amy Long draws a cartoon of a building with a sign that reads 'pre-owned shells,' comparing it to a used car lot.
![Film backdrop image for 68: We're All In Donald Trump's Cartoon (w/ Dan Perkins, aka Tom Tomorrow) [Rumble w Michael Moore] (2020)](https://i.ytimg.com/vi/xn2jtzinRR8/maxresdefault.jpg)
